Observations – Clouds at Sunrise

I made this image while preparing for an aerial shoot for a commercial job. I just couldn’t resist the beauty.

Aric Attas, Clouds At Sunrise, 2013

Aric Attas, Clouds At Sunrise, 2013

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The Photographs of Ray K. Metzker and the Institute of Design exhibition at the J. Paul Getty

The J. Paul Getty Museum in Los Angeles recently held an exhibition titled The Photographs of Ray K. Metzker and the Institute of Design. Metzker studied at the Institute of Design in Chicago which was founded in 1937 as the New Bauhaus with László Moholy-Nagy forging the way. The highly innovative and influential school promoted an integration of art, technology and craft through its programs in architecture, design, art and photography.

From the J. Paul Getty Museum – “Metzker’s work is part of a revered tradition that emerged from the experimental approach of Chicago’s Institute of Design (ID), where he received his graduate degree in 1959. Inspired by instructors Harry Callahan and Aaron Siskind, Metzker fashioned an entirely personal synthesis of formal elegance, technical precision, and optical innovation.

His composite works hold an important status in the history of creative photography: at the time of their making, they were unprecedented in ambition and perceptual complexity. Metzker’s devotion to photographic seeing as a process of discovery is also deeply humanistic in its illumination of isolation and vulnerability.

This exhibition offers a comprehensive overview of Metzker’s five-decade career, while also providing examples of work by instructors and fellow students at the Institute of Design in Chicago, where Metzker studied from 1956 to 1959. Learn more about Metzker’s diverse forays into photography as well as the ID and its profound influence.”

Here are some images from the exhibition:

  • Ray K. Metzker, City Whispers: Los Angeles, negative 1981, print 2006. Ray K. Metzker, City Whispers: Los Angeles, negative 1981, print 2006. gm_336651EX1.tif Creator(s): Ray K. Metzker (American, born 1931) Title/Date: RETURNED LOAN -- City Whispers: Los Angeles, negative 1981; print 2006 Culture: American Medium: Gelatin silver print Dimensions: Image: 26.8 x 41.4 cm (10 9/16 x 16 5/16 in.) Sheet: 40.6 x 50.8 cm (16 x 20 in.) Framed: 52.7 x 62.9 cm (20 3/4 x 24 3/4 in.) Accession No. EX.2012.5.56 Copyright: © Ray K. Metzker Object Credit: The Nelson-Atkins Museum of Art, Gift of the Hall Family Foundation, 2009.6.25
  • Ray K. Metzker, Composites: Nude, negatives 1966, prints 1984. Ray K. Metzker, Composites: Nude, negatives 1966, prints 1984. gm_33633001.TIF Creator(s): Ray K. Metzker (American, born 1931) Title/Date: Composites: Nude, negatives 1966; prints 1984 Culture: American Medium: Gelatin silver print Dimensions: Image: 56.5 x 25.4 cm (22 1/4 x 10 in.) Framed: 84 x 56 x 6.4 cm (33 1/16 x 22 1/16 x 2 1/2 in.) Accession No. 2012.26.1 Copyright: © Ray K. Metzker Object Credit: The J. Paul Getty Museum, Los Angeles
  • Ray K. Metzker, City Whispers, Philadelphia, 1983. Ray K. Metzker, City Whispers, Philadelphia, 1983. gm_33633301.TIF Creator(s): Ray K. Metzker (American, born 1931) Title/Date: City Whispers, Philadelphia, 1983 Culture: American Medium: Gelatin silver print Dimensions: Image: 24.5 x 24 cm (9 5/8 x 9 7/16 in.) Sheet: 35.6 x 27.9 cm (14 x 11 in.) Accession No. 2012.27.1 Copyright: © Ray K. Metzker Object Credit: The J. Paul Getty Museum, Los Angeles
  • Ray K. Metzker, Atlantic City, negative 1966, print 2003 Ray K. Metzker, Atlantic City, negative 1966, print 2003 gm_336674EX1.tif Creator(s): Ray K. Metzker (American, born 1931) Title/Date: RETURNED LOAN -- Atlantic City, negative 1966; print 2003 Culture: American Medium: Gelatin silver print Dimensions: Image: 20.3 x 20.3 cm (8 x 8 in.) Sheet: 35.6 x 27.9 cm (14 x 11 in.) Framed: 47.6 x 40 cm (18 3/4 x 15 3/4 in.) Accession No. EX.2012.5.79 Copyright: © Ray K. Metzker
  • Ray K. Metzker, Chicago, negative 1958, print later. Ray K. Metzker, Chicago, negative 1958, print later. gm_336686EX2.tif Creator(s): Ray K. Metzker (American, born 1931) Title/Date: RETURNED LOAN -- Chicago, negative 1958; print later Culture: American Medium: Gelatin silver print Dimensions: Image: 14.6 x 22.2 cm (5 3/4 x 8 3/4 in.) Sheet: 20.3 x 25.4 cm (8 x 10 in.) Framed: 47.6 x 40 cm (18 3/4 x 15 3/4 in.) Accession No. EX.2012.5.91 Copyright: © Ray K. Metzker Object Credit: The Nelson-Atkins Museum of Art, Gift of the Hall Family Foundation, 2009.6.15
  • Ray K. Metzker, Double Frame, Philadelphia, negative 1965, print 1972. Ray K. Metzker, Double Frame, Philadelphia, negative 1965, print 1972. gm_336818EX1.tif Creator(s): Ray K. Metzker (American, born 1931) Title/Date: RETURNED LOAN -- Double Frame: Philadelphia, negative 1965; print 1972 Culture: American Medium: Gelatin silver print Dimensions: Image: 21.6 x 9.8 cm (8 1/2 x 3 7/8 in.) Sheet: 25.4 x 20.3 cm (10 x 8 in.) Framed: 47.6 x 40 cm (18 3/4 x 15 3/4 in.) Accession No. EX.2012.5.119 Copyright: © Ray K. Metzker Object Credit: The Nelson-Atkins Museum of Art, Gift of the Hall Family Foundation, 2011.21.58
  • Arthur Siegel, State Street, 1949. Arthur Siegel, State Street, 1949. gm_336701EX2.tif Creator(s): Arthur Siegel (American, 1913 - 1978) Title/Date: RETURNED LOAN -- State Street, 1949 Culture: American Medium: Dye transfer print Dimensions: Image: 21.9 x 26.4 cm (8 5/8 x 10 3/8 in.) Sheet: 25.4 x 30.5 cm (10 x 12 in.) Framed: 42.5 x 52.7 cm (16 3/4 x 20 3/4 in.) Accession No. EX.2012.5.106 Copyright: © Estate of Arthur Siegel Object Credit: The Nelson-Atkins Museum of Art, Gift of Hallmark Cards, Inc., 2005.27.2201
  • Joseph Sterling, Untitled, 1961. Joseph Sterling, Untitled, 1961. Filename: gm_336709EX1.tif Creator(s): Joseph Sterling (American, 1936 - 2010) Title/Date: RETURNED LOAN -- Untitled, 1961 Culture: American Medium: Gelatin silver print Dimensions: Image: 19.1 x 19.1 cm (7 1/2 x 7 1/2 in.) Framed: 49.2 x 41.2 cm (19 3/8 x 16 1/4 in.) Accession No. EX.2012.5.114 Copyright: © Deborah Sterling Object Credit: The Nelson-Atkins Museum of Art, Gift of Hallmark Cards, Inc., 2005.27.4395 Repro Credit: Courtesy Stephen Daiter Gallery
  • Aaron Siskind, Pleasures and Terrors of Levitation 94, 1961. Aaron Siskind, Pleasures and Terrors of Levitation 94, 1961. Filename: gm_05361601.TIF Creator(s): Aaron Siskind (American, 1903 - 1991) Title/Date: Pleasures and Terrors of Levitation 94, 1961 Culture: American Medium: Gelatin silver print Dimensions: Image (approx.): 27.9 x 26.1 cm (11 x 10 1/4 in.) Sheet: 35.4 x 27.5 cm (13 15/16 x 10 13/16 in.) Accession No. 84.XM.1012.107 Copyright: © Aaron Siskind Foundation Object Credit: The J. Paul Getty Museum, Los Angeles
  • Aaron Siskind, Pleasures and Terrors of Levitation 25, 1957. Aaron Siskind, Pleasures and Terrors of Levitation 25, 1957. Filename: gm_05362601.TIF Creator(s): Aaron Siskind (American, 1903 - 1991) Title/Date: Pleasures and Terrors of Levitation 25, 1957 Culture: American Medium: Gelatin silver print Dimensions: Image: 27.9 x 26.4 cm (11 x 10 3/8 in.) Sheet: 35.2 x 27.6 cm (13 7/8 x 10 7/8 in.) Accession No. 84.XM.1012.117 Copyright: © Aaron Siskind Foundation Object Credit: The J. Paul Getty Museum, Los Angeles
  • Harry Callahan, Eleanor, Chicago, 1952. Harry Callahan, Eleanor, Chicago, 1952. Filename: gm_06271501.TIF Creator(s): Harry Callahan (American, 1912 - 1999) Title/Date: Eleanor, Chicago, 1952 Culture: American Medium: Gelatin silver print Dimensions: Image: 10.2 x 12.7 cm (4 x 5 in.) Accession No. 88.XM.65.6 Copyright: © Estate of Harry Callahan Object Credit: The J. Paul Getty Museum, Los Angeles
  • Charles Swedlund, Buffalo, NY, about 1970. Charles Swedlund, Buffalo, NY, about 1970. Filename: gm_33679101.TIF Creator(s): Charles Swedlund (American, born 1935) Title/Date: Buffalo, NY, about 1970 Culture: American Medium: Gelatin silver print Dimensions: Image: 18.7 x 15.9 cm (7 3/8 x 6 1/4 in.) Mount: 34.9 x 27.3 cm (13 3/4 x 10 3/4 in.) Accession No. 2012.39 Copyright: © Charles Swedlund Object Credit: The J. Paul Getty Museum, Los Angeles, Purchased in part with funds provided by an anonymous donor in memory of James N. Wood
     

Special thanks to the J. Paul Getty Museum for permission to reproduce these images here.

Follow these links to learn more about the BauhausLászló Moholy-Nagy and Chicago’s Institute of Design.

You might also enjoy these photography books from some of the photographers included in the exhibition.

                              

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Become More Creative By Cultivating Beginner’s Mind

Suzuki Roshi’s book Zen Mind, Beginner’s mind is one of the best introductions to Zen philosophy and a great way to inspire your creativity. In it he writes “In the beginner’s mind there are many possibilities, but in the expert’s there are few.”

The quote below is part of a teaching on Suzuki Roshi’s book Zen Mind, Beginner’s Mind by Zenkei Blanche Hartman. It will help you understand the concept of beginner’s mind and how to apply it to your life and enhance your creativity.

“Beginner’s mind is Zen practice in action. It is the mind that is innocent of preconceptions and expectations, judgements and prejudices. Beginner’s mind is just present to explore and observe and see ‘things as-it-is.’ I think of beginner’s mind as the mind that faces life like a small child, full of curiosity and wonder and amazement. ‘I wonder what this is? I wonder what that is? I wonder what this means?’ Without approaching things with a fixed point of view or a prior judgement, just asking ‘what is it?'”

You can read the entire teaching here: http://www.chzc.org/hartman4.htm

I highly recommend Suzuki Roshi’s book Zen Mind, Beginner’s Mind not only as an introduction to Zen philosophy but as a way to cultivate your creativity though openness to the present moment.

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Great Software App for Photographers

The Photographer’s Ephemeris is a great app for photographers who want to know where the sun and moon will be throughout the day and night at any location. This is great for planning photo shoots for the best light, especially if you’re traveling. The software enables you to search locations by name or enter the coordinates directly. Photographer’s Ephemeris will show you a satellite photo and map of your location with an overlay of the sunrise/sunset and moonrise/moonset information. You can also change the date and watch the direction of the light change to find the best time of year to photograph your subject. Super cool!

This tutorial walks you through the basics of the software and will probably give you some good ideas of how you can use it to plan your next photo shoot that requires natural light.

Looking for some inspiration for your photography? Check out this great book by Bruce Barnbaum to stimulate your ideas!

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Inspiring Quote On Art From James Turrell

Here’s an inspiring quote from Light & Space artist James Turrell to stimulate your creative thinking.

“Science strives for answers, but art is happy with a good question.” – James Turrell

To see some of Turrell’s work and read an interview with him visit: https://photonlab.com/2013/05/01/james-turrells-amazing-work-with-light/

James Turrell, Afrum (White), 1966, Projected light, Dimensions variable.

Afrum (White)
James Turrell
1966
Projected light, Dimensions variable, Los Angeles County Museum of Art, partial gift of Marc and Andrea Glimcher in honor of the appointment of Michael Govan as Chief Executive Officer and Wallis Annenberg Director and purchased with funds provided by David Bohnett and Tom Gregory through the 2008 Collectors Committee (M.2008.60) © James Turrell. Photo © 2012 Museum Associates/LACMA.

 

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Amazing Food at Citrus Grillhouse in Vero Beach, Florida

I recently had the opportunity to photograph some food at the Citrus Grillhouse in Vero Beach, Florida for Palm Beach Illustrated magazine. Scott Varricchio is an amazing chef with a true passion for food. Not only did the food look great but the flavors were complex and delicious. Citrus Grillhouse is a fantastic restaurant cleverly hidden in Vero Beach! I encourage you to check it out.

Food photography by Aric Attas for Palm Beach Illustrated magazine. Citrus Grillhouse, Vero Beach, Florida.

Food photography by Aric Attas for Palm Beach Illustrated magazine. Citrus Grillhouse, Vero Beach, Florida.

 

 

 

 

 

 

 

 

 

 

 

Follow this link for a larger view: Food Photography by Aric Attas, Vero Beach, Florida, Citrus Grillhouse featured in Palm Beach Illustrated magazine. The story is also in the May 2013 issue of Palm Beach Illustrated if you prefer print.

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James Turrell’s Amazing Work With Light & Space

James Turrell is an amazing artist who uses light & space as his primary materials. He was recently interviewed by Harper’s Bazaar prior to the opening of three major exhibitions dedicated to his work this summer at LACMA Los Angeles County Museum of Art, The Museum of Fine Arts, Houston, and the Guggenheim.

“His aim has been not to make objects—a painting, a sculpture, or a photograph—but rather to challenge viewers to consider how we see. Many of the works seem equal parts basic science and intense mysticism: Turrell wants no less than to capture the way light looks when our eyes are closed, ‘suffuse and lucid.'”

Read the full interview here: http://www.harpersbazaar.com/culture/features/g2667/james-turrell-interview-0513/

Images of work by James Turrell

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Here are some great art books featuring the light & space art of James Turrell:

                    

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Know your rights

photographers rightsThe ACLU (American Civil Liberties Union) has some very interesting and useful information on your rights to photograph and videotape in public places. If you photograph in public or private locations I strongly suggest you read up on these. It’s important to know your rights in case you’re ever confronted and asked to stop taking pictures. Unfortunately this has become much more common since 9/11.

Here are a few major points to know.

  • When you are in public you can photograph anyone or anything in plane view.
  • When you are on private property your rights to photograph are determined by the property owner.
  • Your camera and/or memory card cannot be confiscated unless there is a search warrant or you are being arrested.
  • Police cannot delete your photos under any circumstances.

Get more information regarding photographers rights from the ACLU here: http://www.aclu.org/free-speech/know-your-rights-photographers

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The Unphotographable At Fraenkel Gallery, San Francisco

This is a fascinating exhibition curated by Jeffrey Fraenkel of the Fraenkel Gallery in San Francisco exploring the concept of the unphotographable.

In his essay on the exhibition Fraenkel writes, “From the moment of its invention almost 175 years ago, photography has proven adept at depicting the photographable: the solid, the concrete, that which can be seen. […] But another tradition exists, a parallel history in which photographers and other artists have attempted to describe by photographic means that which is not so readily seen: thought, time, ghosts, god, dreams. A vast array of strategies has been employed to bring such pictures about, tactics that have intersected and enriched the strains of modern art.”

  • ADRIEN MAJEWSKI Mr. Majewski’s Right Hand. Posed for 20 Minutes. Room Temperature. [Main Droite de Monsieur Majewski. Pose 20 Minutes. Température Ambiante] 1895 - 1900 printing-out-paper print 6-5/8 x 4-5/8 inches (image) [16.8 x 11.8 cm] 7 x 4-7/8 inches (sheet) [24.1 x 12.4 cm]
  • ALFRED STIEGLITZ Equivalent 1931 gelatin-silver print 4-3/4 x 3-5/8 inches (image, sheet & primary mount) [12.1 x 9.2 cm] 13-3/4 x 10-7/8 inches (secondary mount) [34.9 x 27.6 cm]
  • BRUCE CONNER Angel Light 1975 gelatin-silver photogram 85 x 39 inches (image, sheet & mount) [216.0 x 99.0 cm] 86-5/8 x 40-3/4 inches (plexi frame) [220.0 x 103.5 cm]
  • CHRISTIAN MARCLAY Silence (The Electric Chair) 2006 silkscreen ink on paper 20-1/2 x 30 inches (image & sheet) [52.1 x 76.2 cm]
  • IDRIS KHAN Black Horizon 2010 / printed 2010 bromide print mounted on aluminum 30 x 30 inches [76.2 x 76.2 cm]
  • JAY DEFEO Untitled 1973-74 gelatin-silver print with incised lines 9-3/4 x 7-3/4 inches (image, sheet & mount) [29.9 x 19.7 cm] 20-3/4 x 16-3/4 inches (frame) [52.7 x 42.6 cm]
  • KOTA EZAWA Lubbock Lights 2012 Duratrans transparency & lightbox 20 x 24 inches (image & sheet) [50.8 x 61.0 cm] 22 x 26 inches (lightbox) [55.9 x 66.0 cm]
  • PAUL GRAHAM Fuji Fujicolor Super HR400, 400asa, Beyond Caring, 1984 2011 pigment print 26-3/4 x 34-5/8 inches (image, sheet & mount) [67.9 x 87.9 cm]
  • PHOTOGRAPHER UNKNOWN Miss Loïe Fuller 1890s albumen silver print 5-5/8 x 4 inches (image & sheet) [14.3 x 10.2 cm] 6 x 4-1/4 inches (mount) [15.2 x 10.8 cm]
  • WALEAD BESHTY Transparency (Negative) [Kodak Portra 400NC Em. No. 2051: April 25 - 29, 2011 LAX/SFO/PEK PEK/SFO/LAX] 2011 pigment print 44 x 59-3/8 inches (image & sheet) [111.8 x 151.1 cm] 52-7/8 x 68 inches (frame) [134.3 x 172.7 cm] Courtesy Regen Projects, Los Angeles © Walead Beshty.
  • WALEAD BESHTY Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: April 25 - 29, 2011 LAX/SFO/PEK PEK/SFO/LAX] 2011 pigment print 44 x 59-3/8 inches (image & sheet) [111.8 x 151.1 cm] 52-7/8 x 68 inches (frame) [134.3 x 172.7 cm] Courtesy Regen Projects, Los Angeles © Walead Beshty.
     

The exhibition includes photographs by Adrien Majewski, Alfred Stieglitz, Christian Marclay, Idris Khan, Jay Defeo, Walead Beshty as well as a number of unknown photographers.

Special thanks to the Fraenkel Gallery in San Francisco for granting permission to reproduce these images.

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Found Polaroid Art

We had a great time on Saturday visiting artists and galleries in Miami’s Wynwood Art District. I look forward to leading another Wynwood Art District Gallery Tour in the fall.

Here’s a great image I found while exploring the fantastic street art Wynwood is known for. Thanks to the photographer who shot it for leaving it behind!

Found Polaroid

 

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